Elliott Fine Art
Skip to main content
  • Menu
  • Artworks
  • Notable Sales
  • Exhibitions
  • Catalogues
  • About
  • Contact
Instagram, opens in a new tab.
Instagram, opens in a new tab.
Menu
Open a larger version of the following image in a popup: Jules Lecomte du Noüy (1842 - 1923),

Jules Lecomte du Noüy (1842 - 1923)

Study of a left hand

 

Oil on canvas

24.4 x 24.4 cm. (9 ½  x 9 ½ in.)

 

Provenance:

By descent in the family of the artist until 1999;

Read more

Study of a left hand

 

Oil on canvas

24.4 x 24.4 cm. (9 ½  x 9 ½ in.)

 

Provenance:

By descent in the family of the artist until 1999;

Arnauné-Prim, Toulouse, 22 June 1999, lot 285;

Private Collection, Paris, until 2021.

 

A major figure in his day, and in many ways heir to Jean-Léon Gérôme, Jules Lecomte du Noüy is perhaps best known for his Orientalist scenes. Early in his career, Lecomte du Noüy enjoyed triumphs at the Paris Salon, winning gold medals on 1866 and 1869, a second-class medal in 1872, and the Legion of Honour in 1876, to name only the most significant French governmental distinctions. A veteran of the Salon, he exhibited there almost every year between 1863 and 1923.

 

Training first with Charles Gleyre, and then for several years with Gérôme, who held the young artist in very high regards, Lecomte du Noüy ‘consciously rejected the path of modernism, choosing instead to express himself through an elaborately finished technique applied to compositions that often featured stylised, even slightly mannerist, human figures.’[1]  As the artist himself said, ‘Gérôme est mon maître et Raphaël mon Dieu.’[2] He has also been considered to some extent a successor to Jean-Auguste-Dominque Ingres, favouring meticulous painterly craftsmanship over the more freely handled and expressive brushwork originally championed by Delacroix and ultimately developed in various ways by the anti-academics and modernists to whom he was opposed. Indeed, Lecomte du Noüy has been described as ‘Ingres faisant du Gérôme’,[3]although the finished works were distinctly his own.

 

His earlier paintings were primarily of subjects derived from antiquity, though under the influence of Gérôme and thanks to his own extensive travels in North Africa and the Near East, Lecomte du Noüy increasingly focussed on Orientalist themes. The present work is a fine example of the artist’s preparatory oil sketches and is likely a study for the  Saint Vincent de Paul, a rare religious work from 1876 (fig. 1).

 

 

 

Fig. 1, Jules Lecomte du Noüy, Saint Vincent de Paul, 1876, oil on canvas, Saint Trinité, Paris



[1] R.Diedern, From Homer to the Harem: The Art of Jules Lecomte du Noüy, New York 2004, p. 9.

[2] Paris, Archives du Louvre, Document of 24 March 1926, no. 3830.

[3] R.Diedern, p. 10.

Close full details
Share
  • Facebook
  • X
  • Pinterest
  • Tumblr
  • Email
Previous
|
Next
23 
of  48

Join our mailing list

Signup

* denotes required fields

We will process the personal data you have supplied to communicate with you in accordance with our Privacy Policy. You can unsubscribe or change your preferences at any time by clicking the link in our emails.

Privacy Policy
Manage cookies
Terms & Conditions
Copyright © 2025 Elliott Fine Art
Site by Artlogic
Instagram, opens in a new tab.

This website uses cookies
This site uses cookies to help make it more useful to you. Please contact us to find out more about our Cookie Policy.

Manage cookies
Accept

Cookie preferences

Check the boxes for the cookie categories you allow our site to use

Cookie options
Required for the website to function and cannot be disabled.
Improve your experience on the website by storing choices you make about how it should function.
Allow us to collect anonymous usage data in order to improve the experience on our website.
Allow us to identify our visitors so that we can offer personalised, targeted marketing.
Save preferences